Images from

Native Moderns:
American Indian Painting, 1940–1960
Bill Anthes

	Oscar Howe, Yankton Sioux, 1915–1983, Umine Wacipe: War and Peace Dance, 1958. Watercolor on paper. (Copyright Adelheide Howe, 1983)
	Andrew Van Tsihnahjinnie, Navajo, 1916–2000, Male Sand Painting, 1954. Oil on canvas board. (Museum purchase, Philbrook Museum of Art, Tulsa, Oklahoma. 1954.6)
	Anonymous, Hopi, Kachina, Kerwan or Juwan (Brightly Colored) and Kachina Mana (Kachina Maiden) Wearing Masks and Body Paint in Costume with Bean Sprouts in Flat Basket between Them; Pomanu Ceremony When Beans Brought into Plaza and Distributed, 1899. Watercolor on paper. (Smithsonian Institution, National Anthropological Archives. NAAINV 08547224)
	Crescencio Martinez, San Ildefonso Pueblo, 1879–1918, Buffalo Dancers, 1918. Watercolor on paper. (School of American Research, Museum of Indian Arts and Culture. IAF.P19)
	Gerald Nailor, Navajo, 1917–1952, Untitled (Navajos and Tourists Looking at Rug), 1937. Watercolor on paper. (Museum of New Mexico, Museum of Indian Arts and Culture/Laboratory of Anthropology. Bequest of Dorothy Dunn. 51404/13)
	Pablita Velarde, Santa Clara Pueblo, b.1918, Santa Clara Corn Dance, 1940. Watercolor on paper. (Museum of New Mexico, Museum of Indian Arts and Culture/Laboratory of Anthropology. Bequest of Dorothy Dunn. 53943/13)
	Review of Pre-Columbian Galleries, American Museum of Natural History, Art News, March 15, 1944.
	Barnett Newman, American, 1905–1970, Onement 1, 1948. Oil on canvas. (Image copyright Museum of Modern Art/Licensed by SCALA/Art Resource, NY. Artwork copyright 2006 Barnett Newman Foundation/Artists Rights Society [ARS], New York)
	Patrick Robert DesJarlait, Ojibwe, 1921–1972, Red Lake Fishermen, 1946. Watercolor on paper. (Collection of the Minnesota Museum of American Art)
	Patrick Robert DesJarlait, Ojibwe, 1921–1972, Maple Sugar Time, 1946. Watercolor on paper. (Museum purchase, Philbrook Museum of Art, Tulsa, Oklahoma. 1946.31)
	Patrick Robert DesJarlait, Ojibwe, 1921–1972, Making Wild Rice, 1946. Watercolor on paper. (Museum purchase, Philbrook Museum of Art, Tulsa, Oklahoma. 1947.22)
	Patrick Robert DesJarlait, Ojibwe, 1921–1972, The Chippewa Dancers, 1968. Watercolor on paper. (U.S. Department of the Interior, Indian Arts and Crafts Board, Sioux Indian Museum)
	Patrick Robert DesJarlait, Ojibwe, 1921–1972, Basket Maker, 1970. Watercolor on paper. (The Richard E. and Dorothy Nelson Collection)
	George Morrison, Ojibwe, 1919–2000, Mount Maude, 1942. Oil on canvas. (Minneapolis Institute of Arts, Local Purchase Fund)
	George Morrison, Ojibwe, 1919–2000, Untitled (Pink, Black, Gray), 1950. Oil on canvas. (Tweed Museum of Art, University of Minnesota, Duluth, Gift of the Artist)
	George Morrison, Ojibwe, 1919–2000, Collage IX: Landscape, 1974. Wood. (Minneapolis Institute of Arts, Local Purchase Fund)
	George Morrison, Ojibwe, 1919–2000, Red Rock Crevices. Soft Light. Lake Superior Landscape, 1987. Oil on canvas. (Tweed Museum of Art, University of Minnesota, Duluth, Alice Tweed Tuohy Foundation Purchase Award)
	Yeffe Kimball, American, 1904?–1978. Sacred Buffalo, 1945. Oil on canvas. (Courtesy of Harvey Slatin
	Yeffe Kimball, American, 1904?–1978, Faun and Spirit, 1948. Oil on canvas. (Portland Art Museum, Gift of Dr. William K. Livingston)
	Yeffe Kimball (center, right) photographed with Secretary of the Interior Stuart Udall and wife Lee Udall, along with the San Ildefonso Pueblo artist Maria Martinez. (Photo by U.S. Department of the Interior. Collection of Harvey Slatin)
	Yeffe Kimball, Americam, 1904?–1978, Zuni Maiden, 1939. Oil on board. (Gift of Yeffe Kimball, Philbrook Museum of Art, Tulsa, Oklahoma, 1968.2.1)
	Yeffe Kimball’s review of the Philbrook Annual, Art Digest, August 1, 1947.
	Yeffe Kimball, American, 1904?–1978, Old Medicine Man, 1951. Oil on board. (Museum purchase, Philbrook Museum of Art, Tulsa, Oklahoma. 1959.5)
	Yeffe Kimball photographed with her painting Gods in Monument Valley, Provincetown, Massachusetts, 1957. (Photo by John D. Bell. Collection of Harvey Slatin)
	Yeffe Kimball, American, 1904?–1978, Solar Continuum, installed at the Chrysler Museum of Art, Provincetown, Massachusetts, 1962. (Everson Museum of Art, Syracuse, New York)
	Yeffe Kimball, American, 1904?–1978, Angry Young Man, 1970. Oil on canvas. (Collection of Brandy and Jeremy Young)
	Yeffe Kimball, American, 1904?–1978, Self-Portrait, 1978. Oil on canvas. (Collection of Harvey Slatin)
	Dick West, Cheyenne, 1912–1996, Water Serpent, c. 1951. Oil on canvas. (Museum purchase, Philbrook Museum of Art, Tulsa, Oklahoma. 1951.11)
	Dick West, Cheyenne, 1912–1996, The Wedding of Art and Science, 1950. Oll on canvas. (Museum purchase, Philbrook Museum of Art, Tulsa, Oklahoma. 1950.3)
	Oscar Howe, Yankton Sioux, 1915–1983, Sioux Ceremonial, 1937. Watercolor on paper. (Museum of New Mexico, Museum of Indian Arts and Culture/Laboratory of Anthropology. Bequest of Dorothy Dunn. 53939/13)
	Oscar Howe, Yankton Sioux, 1915–1983, Sun and Rain Clouds over the Hills, mural at Carnegie Library, Mitchell, South Dakota, 1940. (Copyright Adelheide Howe, 1983)
	Oscar Howe, Yankton Sioux, 1915–1983, Victory Dance, 1954. Watercolor on paper. (Museum purchase, Philbrook Museum of Art, Tulsa, Oklahoma. 1954.6)
	Oscar Howe, Yankton Sioux, 1915–1983, Sioux Painter, 1948. Watercolor on paper. (U.S. Department of the Interior, Indian Arts and Crafts Board, Sioux Indian Museum)
	Fritz Scholder, Luiseño, 1937–2005, The End of the Trail, 1970. Oil on canvas. (Museum purchase, Philbrook Museum of Art, Tulsa, Oklahoma. 1993.6)