Musicophilia in Mumbai

“Tejaswini Niranjana's beautifully written book gives us a glimpse into the ways in which Hindustani classical music enables distinct performances of modernity in a postcolonial context. She takes us on a fascinating journey across performative spaces while powerfully and subtly portraying the lives and struggles of musicians and showing how gender, caste, class, and religious identity refract their subjectivities. I greatly appreciate and am moved by the material she presents in this book.” — Purnima Mankekar, author of Unsettling India: Affect, Temporality, Transnationality

“In her highly accessible, enjoyable, and immensely informative book, Tejaswini Niranjana—an astute and sympathetic cultural theorist—weaves musical genealogies and musician biographies into rich descriptions of the lives, emotions, and lived spaces of musicians and their audiences. Her centering of enjoyment, pleasure, and love in the study of Hindustani music is refreshing. Beautifully written, Musicophilia in Mumbai will set the standard for new waves of scholarship on Hindustani music and India's other classical traditions.” — Anna Morcom, author of Illicit Worlds of Indian Dance: Cultures of Exclusion