This special issue, “The Clamor of the Visible,” includes essays on film that analyze strategies of image-making from the 1960s forward and how these images speak politically and ethically. Contributors include Eugenie Brinkema, Martin Crowley, Georges Didi-Huberman, Katie Kadue, Michael Marder, Emily O’Rourke, Simone Stirner, Rei Terada, and Damon R. Young.