Jane Gaines is Associate Professor of English and Literature and Director of the Film and Video Program at Duke University. She is the author of Contested Culture: The Image, the Voice, and the Law.
Introduction: The Family Melodrama of Classical Narrative Cinema/ Jane M. Gaines 1
Dickens, Griffith, and Film Theory Today/ Rick Altman 9
Form Wars: The Political Unconscious of Formalist Theory/ Bill Nichols 49
Film Response from Eye to I: The Kuleshov Experiement/ Norman N. Holland 79
Securing the Fictional Narrative as a Tale of the Historical Real: The Return of Martin Guerre/ Janet Staiger 107
Between Melodrama and Realism: Anthony Asquith's Underground and King Vidor's The Crowd/ Christine Gledhill 129
The Hieroglyph and the Whore: D.W. Griffith's Intolerance/ Miriam Hansen 169
The She-Man: Postmodern Bi-Sexed Performance in Film and Video/ Chris Straayer 203
Dead Ringer: Jacqueline Onassis and the Look-Alike/ Jane Gaines 227
Nostalgia for the Present/ Fredric Jameson 253
Reading Dynasty: Television and Reception Theory/ Jane Feuer 275
Dialogues of the Living Dead/ John O. Thompson 295
Image/ Machine/ Image: On the Use and Abuse of Marx and Metaphor in Television Theory/ Richard Dienst 313
Notes on Contributors 341
Index 345
Paper ISBN: 978-0-8223-1299-4
/
Cloth ISBN: 978-0-8223-1276-5