Getting Medieval

“[C]ontroversial and arguable . . . .” - Karma Lochrie , Signs

“Dinshaw is a perceptive, close reader and a sharp, controlled stylist.” - Allen J. Frantzen , Speculum

“Dinshaw moves deftly in and out of texts of various times and genres; there is a subtle, web-like structure to this book. . . . [I]ts influence will be felt as inspiration, as an exhortation to ‘get medieval’ by ‘using ideas of the past, creating relations with past, touching in this way the past in our efforts to build selves and communities now and into the future.’ ” - Christina M. Fitzgerald , Comitatus

“A wonderful book. The things addressed are so heterogeneous—their sheer distance from one another is a kind of elegance.” - Robert Glück, San Francisco State University

“Carolyn Dinshaw is preeminent for the subtlety with which she discloses gendered turmoil in historically situated texts. I can hardly wait to have Getting Medieval on my own shelf, to have its adventurous deployments of ‘the touch of the queer’ available for frequent consultation.” - Paul Strohm, University of Oxford

“This book has a beautiful range, both among premodern English discourses and in postmodern theory, and Dinshaw really and truly does make these different textualities touch.” - Louise O. Fradenburg, University of California, Santa Barbara

“Getting Medieval is an examination of how fourteenth- and fifteenth-century England has influenced Western sensibilities and sexualities today. Chaucer, Pulp Fiction, and historical documents have, not surprisingly, small degrees of separation between them, and this exhaustively researched and detailed book discusses every line which can be drawn between each.” - , Lambda Book Report

“Getting Medieval is not just for medievalists. . . . Dinshaw’s very personal, highly specific and precisely targeted vision should stimulate consideration of the meanings assigned and assignable to the medieval in the postmodern world.” - Wendy Scase, Times Higher Education

“[A] tour de force in its yoking together of disparate subjects, its imaginative use of small examples to support grand hypotheses, and its exposition of current prejudices. It is a queer patchwork of past and present, marked by numerous subjeadings and a swift movement between a relatively small number of medieval instances, a selection of theoretical works, and personal discussion. It is an intelligent, consciously perverse book – one that would be difficult to imitate successfully and perhaps requires or hopes to create a consciously perverse reader.” - Corinne Saunders, Medium Aevum

“[B]reathtaking. . . . Getting Medieval is clearly not your average book of medieval literary or cultural criticism, and it’s not intended only for specialists in those fields. . . [It] is a startling attempt to use aspects of medieval life and thought to make sense of the world we inhabit today and, conversely, to explore new meanings in what we know (or think we know) about life in the Middle Ages. . . . The power of Getting Medieval comes from Dinshaw’s ability—conveyed in engaging, witty, persuasive prose—to shock us into questioning the present day’s notions about the past.” - Michael Bronski , Gay & Lesbian Review

"Getting Medieval virtually overflows with information and ideas. . . . [Dinshaw] skillfully interweaves dozens of texts. . . . She provides rich social and historical contextualization. . . . Dinshaw makes an impassioned, well-buttressed argument for the importance of locating sexual nonconformists hidden within historical interstices." - Kathy Sisson, Sexuality & Culture