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liquid blackness

journal of aesthetics and black studies

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For Authors

For information on how to submit an article, visit submission guidelines. See ethics and policies.

Journal

Current Volume: 10

Frequency: 2 issues annually

liquid blackness seeks to carve out a place for aesthetic theory and the most radical agenda of Black studies to come together in productive ways, with the goal of attending to the aesthetic work of blackness and the political work of form. In this way, the journal develops innovative approaches to address points of convergence between the exigencies of Black life and the many slippery ways in which blackness is encountered in contemporary sonic and visual culture.
 
The journal showcases a variety of scholarly modes, including audio-visual work and experimental and traditional essays. It aims to explore who can do theory (scholars, artists, activists, individuals, and ensembles), how theory can be done (in image, writing, archiving, curating, social activism), and what a Black aesthetic object is (“high”/“low” art, sound and image, practice and praxis).

Articles are published under a Creative Commons license (BY-NC-ND) and are open immediately upon publication. Authors are not charged any fees for publication and retain copyright and full publishing rights without restrictions in their articles. Readers may use the full text of articles as described in the license.

The journal gratefully acknowledges the Open Access Community Investment Program for its support and the institutions who have contributed to it. 

Winner of the 2023 CELJ Phoenix Award for Significant Editorial or Design Achievement.

Open Access

liquid blackness is an open-access journal.

Information

Editors

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Editorial Office:
liquid blackness Limited
258 Garland Ave
Decatur, GA 30030
404-702-0405
journalsubmissions@liquidblackness.com

Editors in Chief:
Alessandra Raengo, Georgia State University
Lauren McLeod Cramer, University of Toronto
 
Editorial Board:
Faye R. Gleisser, Indiana University
Charles “Chip” Linscott, Ohio University
Walton Muyumba, Indiana University
Michele Prettyman, Fordham University
 
Managing Editor:
Corey Couch, Georgia State University

Associate Editors:
Marquis Bey, Northwestern University
John Brooks, The Ohio State University
Erica Edwards, Yale University
Ekow Eshun, Curator (London, UK)
Kevin Jerome Everson, University of Virginia
Keith M. Harris, University of California, Riverside
Amy Herzog, City University of New York
Uri McMillan, University of California, Los Angeles

Advisory Board:
Anne Anlin Cheng, Princeton University
Thomas F. DeFrantz, Northwestern University
Jonathan Eburne, Pennsylvania State University
Amy Elias, University of Tennessee
Tatiana Flores, University of Virginia
Bishnupriya Ghosh, University of California, Santa Barbara
Stefano Harney, Academy of Media Arts, Cologne
R. A. Judy, University of Pittsburgh
Kara Keeling, University of Southern California
Barbara McCullough, Filmmaker (Los Angeles)
Amber Musser, City University of New York
Mark Anthony Neal, Duke University
Marina Peterson, University of Texas, Austin
Angelo Restivo, Professor Emeritus, Georgia State University
Louis Ruprecht, Georgia State University
Christina Sharpe, York University
James Tobias, University of California, Riverside
James Gordon Williams, University of California, Santa Cruz
 

For Authors

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liquid blackness follows the formatting and reference guidelines stipulated by The Chicago Manual of Style and the liquid blackness style guide. We encourage submissions of bold and innovative contributions addressing points of convergence between Black studies and aesthetic theory, practice and praxis. We welcome submissions of traditional and experimental essays, visual and textual art, video, and other artistic work accompanied by an artist statement. All submissions, solicited and unsolicited, undergo single-blind peer review by at least two field specialists. Please submit manuscripts for consideration to https://mc04.manuscriptcentral.com/dup-lbk.
 
The Editorial Process

liquid blackness is committed to publishing issues that have a thematic, methodological, or formal consistency. We welcome work that responds to our current Calls for Papers and open call submissions.

Proposals for special issues from guest editors must include a title; abstract describing the theme; list of confirmed contributors with brief bios and paper abstracts; list of possible reviewers; and publication timeline (the expected date for the first drafts).
 
General Information on Formats

Articles should be 3,000–5,000 words in length.

Short Pieces (interviews, roundtables, artist statements and other commentary, art reviews, and other creative “nontraditional” scholarship) should be 1,500–3,000 words in length.

Questions about submitting visual and sonic material should be directed to journalsubmissions@liquidblackness.com
 
Additional Submission Guidelines
  • All submissions that produce significant original thought in written, visual, or sonic form must include five keywords and an abstract of approximately 250 words that describes the piece’s topic, methodology, and central argument.
  • Written submissions should be Word or RTF files, not PDFs.
  • Written submissions must be accompanied by at least one image (with credit and permissions).
  • Audiovisual submissions can be submitted in the following formats: mp3, .mp4, .wav, .wma, .au, .m4a, .mpg, .mpeg, .mov, .avi, .wmv., html. (Executable files (.exe) are not acceptable.)
Minimum image resolution is 300 dpi.

Abstractors & Indexers

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Indexed/abstracted in the following: DOAJ (Directory of Open Access Journals), European Reference Index for the Humanities (ERIH) PLUS, Humanities Source, Humanities Source Ultimate, OmniFile Full Text Mega (H.W. Wilson), Open Academic Journal Index (OAJI), Scopus, TOC Premier, Ulrichsweb

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Additional Information

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ISSN: 2692-3874

e-ISSN: 2692-3874