Raw Material

“Raw Material is a superb and provocative study that all who do cultural studies in the Victorian period should read. . . . Readers will appreciate the bravura of her provocation, and the fine quality of the writing; the book is smart and funny, serious and satirical—a pleasure to read.” - Pamela K. Gilbert , Victorians Institute Journal

“[H]er work is one of the best I have seen in recent years on the body and the discourses surrounding it. O’Connor is one of the smartest young academics to enter the field, and as a first book, Raw Material is a tour de force, opening up new lines of thought, revealing cultural obsessions, and thinking hard and fast along the way.” - Lennard J. Davis , Hastings Center Report

“[T]his is a book with a wealth of fascinating material and some absorbing and intelligent readings of nineteenth-century culture.” - Roger Luckhurst , English Literature in Transition

“O’Connor shows us brilliantly that freakery was a part of a technology of selfhood, a resource that helped Victorians to (often pleasurably) elaborate opposing social identities (plural), not a crisis of a unitary traditional self. In taking on this role, freakery could also be used to represent the instability and contradictoriness of these classed selves, which were not so coherent and always in flux. Freakery therefore served both as an Other and as an emancipatory representation of a self outside the problematic boundaries of the normative bourgeois atomic individual. Which is a reason that . . . historians of medicine, and anyone interested in Victorian society, will want to take the trouble to read and process Raw Material.” - Michael Sappol , Journal of the History of Medicine

"[E]xtraordinary . . . . Readers will have been led into a fascinating world at the periphery of the respectable science that most of us study and will rejoice in the extraordinary sights they see." - David Knight , Isis

"[O’Connor’s] book was one of the year’s most provocative and challenging." - Andrew Elfenbein , Studies in English Literature 1500-1900

“Raw Material adds much to the existing literature on the Victorians. With its enlightening case studies and its author’s solid understanding of the state of medical art in the latter half of the nineteenth century, this is a first-rate piece of work.” - Sander L. Gilman, author of Creating Beauty to Cure the Soul: Race and Psychology in the Shaping of Aesthetic Surgery

“Industry makes it possible to understand the Victorian body, according to Erin O'Connor, as so much raw material. O'Connor's mind is a pleasure to watch at work and Raw Material will make a significant contribution to Victorian studies, to work on the body, and to cultural studies.” - Mary Ann O'Farrell, author of Telling Complexions: The Nineteenth-Century English Novel and the Blush

“The body in distress and deformation—black from cholera, excrescent from breast cancer, monstrous, and repaired through prosthesis—offers a prism through which O’Connor refracts the crisis of the self in the world’s first industrial society. This is a complex, empirically rich, reflective and vigorously argued book that will be welcomed by literary critics, by historians of the body and of the nineteenth century, and by anyone engaged with cultural theory.”—Thomas Laqueur, author of Making Sex : Body and Gender from the Greeks to Freud - N/A