“Screening Race in American Nontheatrical Film illuminates what is hidden right in front of us. Like cable or YouTube today, nontheatrical films have left evidence of a broader expression beyond commercial films and examining them through the lens of race gives us a peek into a less homogenous and more realistic world. This collection of essays reminds us to reclaim this space as culturally valuable and, in a sense, take the power back by shifting perspective to explore an overlooked reality, not a marginal one.” — Shola Lynch, Curator, Moving Image and Recorded Sound Division, Schomburg Center for Research in Black Culture of The New York Public Library
“This collection of essays—with its range of topics and archival discoveries—is essential reading for anyone committed to, or even remotely interested in, the study of cinema. Screening Race in American Nontheatrical Film uncovers buried treasures that are part of the long-standing tradition of moving image storytelling—a tradition that did not always aspire to mainstream Hollywood recognition, but succeeded alongside it.” — Rhea L. Combs, Curator of Photography and Film and Director of the Center for African American Media Arts, Smithsonian National Museum of African American History and Culture
"Brimming with sharp insights and archival discoveries, this valuable book opens up a world unknown to most and offers a look at American society in the 20th century, far from the artificial gloss of Hollywood cinema." — W. W. Dixon, Choice
“An informative collection of works, the volume deftly illustrates the breadth, reach, and influence of nontheatrical films that centre race and ethnicity. As a bonus, a rich collection of videos discussed in the book is available for use in classrooms, particularly for instructors of film or race and ethnic studies who desire to use movies to explore specific themes…. Screening Race in American Nontheatrical Film serves as a handy reference for scholars, researchers, and students and as a helpful reminder of the hidden gems showcased outside the theatre.” — Maryann Mamie Erigha, Ethnic and Racial Studies