Home / Books / The Aesthetic Character of Blackness

The Aesthetic Character of Blackness

Sounds Like Us

Book

Pages: 288

Illustrations: 15 illustrations

Published: October 2025

Author: Jemma DeCristo

In The Aesthetic Character of Blackness, Jemma DeCristo theorizes the means by which black art liberates the free world but does not and cannot liberate black people. Drawing on Frederick Douglass, W. E. B. Du Bois, and Alain Locke and as well as the aesthetic thought of Immanuel Kant, Friedrich Schiller, Friedrich Nietzsche, and Theodor Adorno, DeCristo critiques the exaltation of black culture and art’s saving power by analyzing the violence underneath aesthetic production. She tracks black music’s representational and anti-representational capacities in projects of black non/humanization from nineteenth-century abolitionism and the founding of the recording industry to the emergence of black queer blues performers and the rise of the Black Arts Movement of the 1960s. Theorizing the contemporary neoliberalization of black audio-visual spectacle, DeCristo ultimately demonstrates that the voluptuous world of black aesthetics beautifies an anti-black world that wields black art and culture as a weapon against black life.

Praise

“Jemma DeCristo calls upon us to consider how ludicrous it is that a love of black culture may come at the expense of black life. Showing the ways this life remains under the yoke of captivity by means of the cultural products and aesthetic value that are mined from it, The Aesthetic Character of Blackness makes a most welcome contribution to black sound studies and is a gateway text onto the predicaments of black life in the afterlife of slavery.” - Fumi Okiji, author of Billie’s Bent Elbow: Exorbitance, Intimacy, and a Nonsensuous Standard

“In The Aesthetic Character of Blackness, DeCristo argues that art is not a neutral zone from which creative practice happens. Turning to sound, murmurs, noise, music, DeCristo offers precise prose and persuasive passages compelling us to think differently and anew about art and beauty. She demonstrates the ways beautiful things created as art are just as often used against black folks to exacerbate displacement and harm.” - Ashon T. Crawley, author of The Lonely Letters

Buy

Availability: Loading...

Price: Loading...

Open Access

Read the OA edition here

Funding information for the OA format can be found at the bottom of this page.

Request a desk or exam copy Spring 2026 Web Sale

Information

Author/Editor Bios

Back to Top
Jemma DeCristo is Assistant Professor of American Studies at the University of California, Davis.

Table Of Contents

Back to Top
Preface. Black Art Against Black People  ix
Introduction  1
1. Emancipating the Spaces of Sonic Capture  31
2. More Nearly Members of the Family: The Ugly Hiss  67
3. Ma Rainey’s Phonograph  103
4. Music Against the Subject  133
5. Sounds Like Us: On Beautification  167
Coda. Self-Defense Against Density  207
Acknowledgments  211
Notes  213
Bibliography  245
Index  261

Rights

Back to Top

Sales/Territorial Rights: World

Rights and licensing

Additional Information

Back to Top
Paper ISBN: 978-1-4780-3258-8 / Hardcover ISBN: 978-1-4780-2921-2 / eISBN: 978-1-4780-6140-3 / DOI: https://doi.org/10.1215/9781478061403

Funding Information

Back to Top
This book is freely available in an open access edition thanks to the generous support of the University of California Libraries.