The Archival Afterlives of Philippine Cinema
Book
Pages: 400
Illustrations: 89 illustrations
Published: February 2024
Author: Bliss Cua Lim
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Author/Editor Bios
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Bliss Cua Lim is Professor of Cinema Studies at the University of Toronto and the author of Translating Time: Cinema, the Fantastic, and Temporal Critique, also published by Duke University Press.
Table Of Contents
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Acronyms ix
Acknowledgments xi
Introduction. Keywords for Philippine Cinema’s Archival Afterlives 1
1. A Tale of Three Buildings: Marcos Cultural Policy and Anarchival Temporality 51
2. Silence, Perseverance, and Survival in State-Run Philippine Film Archives 76
3. Privatization and the ABS-CBN Film Archives 107
4. Queer Anachronisms and Temporalities of Restoration: T-Bird at Ako 133
5. Informal Archiving in a Riverine System: Video 48 and the Kalampag Tracking Agency 173
6. Binisaya: Archival Power and Vernacular Audiences in Iskalawags 214
Epilogue. Of Audiences and Archival Publics: Pepot Artista 256
Notes 277
Bibliography 339
Index 375
Acknowledgments xi
Introduction. Keywords for Philippine Cinema’s Archival Afterlives 1
1. A Tale of Three Buildings: Marcos Cultural Policy and Anarchival Temporality 51
2. Silence, Perseverance, and Survival in State-Run Philippine Film Archives 76
3. Privatization and the ABS-CBN Film Archives 107
4. Queer Anachronisms and Temporalities of Restoration: T-Bird at Ako 133
5. Informal Archiving in a Riverine System: Video 48 and the Kalampag Tracking Agency 173
6. Binisaya: Archival Power and Vernacular Audiences in Iskalawags 214
Epilogue. Of Audiences and Archival Publics: Pepot Artista 256
Notes 277
Bibliography 339
Index 375
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Paper ISBN:
978-1-4780-2573-3 /
Hardcover ISBN:
978-1-4780-2100-1 /
eISBN:
978-1-4780-2786-7 /
DOI:
https://doi.org/10.1215/9781478027867
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