The Art of Remembering
Essays on African American Art and History
Book
Pages: 320
Illustrations: 62 color illustrations
Published: April 2024
Author: Gwendolyn DuBois Shaw
Subjects
Art and Visual Culture > Art History, African American Studies and Black Diaspora, American Studies
Art and Visual Culture > Art History, African American Studies and Black Diaspora, American Studies
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This title will be released on April 02, 2024
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Author/Editor Bios
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Gwendolyn DuBois Shaw is Class of 1940 Bicentennial Term Associate Professor of History of Art at the University of Pennsylvania, author of Seeing the Unspeakable: The Art of Kara Walker, also published by Duke University Press, and Portraits of a People: Picturing African Americans in the Nineteenth Century.
Table Of Contents
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List of Illustrations ix
Acknowledgments xiii
Introduction 1
Part I. Past As Prelude 15
1. Facing Phillis Wheatley: Portraiture and Publishing in the Era of the American Revolution 19
2. Profiling Moses Williams: Silhouettes and Race in the Early Republic 42
3. The Freedom to Marry for All: Painting Interracial Families During the Era of the Civil War 62
4. Landscapes of Labor: Race, Religion, and Rhode Island in the Painting of Edward Mitchell Bannister 73
Part II. Modern Blackness 85
5. “This Gifted Sculptress of the Race”: The Intersectional Art of May Howard Jackson 91
6. Singing Saints: Sargent Johnson’s Modern Blackness 111
7. Norman Lewis’s Dan Mask: The Challenge of the African “Thing” in the 1930s 127
8. “Bolshevized by Conditions”: African American Artists and Mexican Muralism 135
9. Malcolm X Rising: Barbara Chase-Riboud’s Phenomenological Art 144
10. Richard Yarde’s Mojo Blues 161
Part III. Beginning Again 187
11. Remembering the Remnants: Contemporary Art and Hurricane Katrina 191
12. The Wandering Gaze of Carrie Mae Weems’s The Louisiana Project 203
13. Ten Years of 30 Americans 213
14. “No Man Is an Island”: The Diasporic Performances of Wanda Raimundi-Ortiz and Sheldon Scott 229
15. What Deana Lawson Wants 237
Notes 247
Bibliography 277
Index 289
Acknowledgments xiii
Introduction 1
Part I. Past As Prelude 15
1. Facing Phillis Wheatley: Portraiture and Publishing in the Era of the American Revolution 19
2. Profiling Moses Williams: Silhouettes and Race in the Early Republic 42
3. The Freedom to Marry for All: Painting Interracial Families During the Era of the Civil War 62
4. Landscapes of Labor: Race, Religion, and Rhode Island in the Painting of Edward Mitchell Bannister 73
Part II. Modern Blackness 85
5. “This Gifted Sculptress of the Race”: The Intersectional Art of May Howard Jackson 91
6. Singing Saints: Sargent Johnson’s Modern Blackness 111
7. Norman Lewis’s Dan Mask: The Challenge of the African “Thing” in the 1930s 127
8. “Bolshevized by Conditions”: African American Artists and Mexican Muralism 135
9. Malcolm X Rising: Barbara Chase-Riboud’s Phenomenological Art 144
10. Richard Yarde’s Mojo Blues 161
Part III. Beginning Again 187
11. Remembering the Remnants: Contemporary Art and Hurricane Katrina 191
12. The Wandering Gaze of Carrie Mae Weems’s The Louisiana Project 203
13. Ten Years of 30 Americans 213
14. “No Man Is an Island”: The Diasporic Performances of Wanda Raimundi-Ortiz and Sheldon Scott 229
15. What Deana Lawson Wants 237
Notes 247
Bibliography 277
Index 289
Rights
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Rights and licensingAwards
Back to TopWinner of the 2025 James A. Porter Book Award, presented by the Howard University James A. Porter Colloquium
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Paper ISBN:
978-1-4780-3017-1 /
Hardcover ISBN:
978-1-4780-2592-4 /
eISBN:
978-1-4780-5916-5 /
DOI:
https://doi.org/10.1215/9781478059165
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