Home / Books / The Minjung Art Movement

The Minjung Art Movement

Decolonization and Democracy in South Korea

Book

Pages: 420

Illustrations: 136 color illustrations

Published: April 2026

Author: Sohl Lee

Emerging as multifaceted cultural activism, the minjung (people’s) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art’s history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea’s globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.

Praise

“This groundbreaking book examines how minjung artists played a pivotal role in Korea’s democratization and decolonization. Through bold experimentation, cross-cultural collaboration, and active participation in sweeping social change, these artists not only responded to but also shaped a turbulent political era. An essential read for anyone interested in the intersection of art, activism, and history.” - Namhee Lee, Professor of Modern Korean History, University of California, Los Angeles

"By situating minjung within the broader global history of political art and collectives, Lee highlights its significance in a longer global history of art, while also connecting its relevance to contemporary discussions on collective practices, shifting attention to the role of art in fostering collective action and envisioning new social possibilities. Not merely a cultural phenomenon, but a politically charged force that embodied and activated the collective will in opposition to an authoritarian state, the Minjung art movement demonstrates the capacities of what art can do in troubled times."  - Ming Tiampo, Professor of Art History, Carleton University

Buy

Availability: In stock

Price: $40.00

Request a desk or exam copy

Information

Author/Editor Bios

Back to Top
Sohl Lee is Associate Professor of Art History at Stony Brook University.

Table Of Contents

Back to Top
List of Illustrations  ix
Note on Transliteration and Translation  xv
Preface and Acknowledgments  xvii
Introduction  1
1. Decolonizing Modernism during the Cold War: Origins of the Minjung Art Movement  41
2. The Visual Cultural Turn for Decolonial Democracy: Forms and Methods of Reality and Utterance (1979–1984)  87
3. The Decolonial Place of Vernacular Folk Culture in Democracy: Turŏng, Collective Painting, and Sited Knowledge Production (1982–1985)  137
4. To Bring Back to Life: On the Metonym of Democracy (1987)  197
5. Exhibiting Minjung Art Abroad: Tokyo, New York, and Pyongyang in the Twilight of the Cold War (1986–1989)  237
Conclusion. Revolutionary Presents: Making Histories of Decolonial Democracy  283
Notes  307
Bibliography  363
Index
 

Rights

Back to Top

Sales/Territorial Rights: World

Rights and licensing

Additional Information

Back to Top
Paper ISBN: 978-1-4780-3323-3 / Hardcover ISBN: 978-1-4780-2980-9 / eISBN: 978-1-4780-6199-1 / DOI: https://doi.org/10.1215/9781478061991