The Noise Silence Makes
Secularity and Ghana's Drum Wars
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Author/Editor Bios
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Mariam Goshadze is Assistant Professor in the Study of Religion at Leipzig University.
Table Of Contents
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A Note on Orthography ix
A Note on Pronunciation xi
Introduction: Altered Ontologies and Reversed Paradigms 1
1. Jumping on the Anti-Noise Bandwagon: Drumming Permits for Accra’s Residents 25
2. Winds of Change: The Ban on Drumming Enters the Public Sphere 46
3. The Power of Sound: Cross-World Sonic Theologies 69
4. When the Deities Visit: Translating Religion into the Language of the Secular 87
5. Sacred Acoustic Inspectors: The Ghanian State and Noise Abatement during the HƆMƆWƆ Festival 108
6. Let Us Offer Thanks for the Nation of Ghana: Hɔmɔwɔ as a Civil Ceremony of Thanksgiving 133
Conclusion: Layered Epistemologies of Contemporary Accra 153
Acknowledgments 159
Glossary 161
Notes 163
References 177
Index 193
A Note on Pronunciation xi
Introduction: Altered Ontologies and Reversed Paradigms 1
1. Jumping on the Anti-Noise Bandwagon: Drumming Permits for Accra’s Residents 25
2. Winds of Change: The Ban on Drumming Enters the Public Sphere 46
3. The Power of Sound: Cross-World Sonic Theologies 69
4. When the Deities Visit: Translating Religion into the Language of the Secular 87
5. Sacred Acoustic Inspectors: The Ghanian State and Noise Abatement during the HƆMƆWƆ Festival 108
6. Let Us Offer Thanks for the Nation of Ghana: Hɔmɔwɔ as a Civil Ceremony of Thanksgiving 133
Conclusion: Layered Epistemologies of Contemporary Accra 153
Acknowledgments 159
Glossary 161
Notes 163
References 177
Index 193
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Rights and licensingAdditional Information
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Paper ISBN:
978-1-4780-3141-3 /
Hardcover ISBN:
978-1-4780-2819-2 /
eISBN:
978-1-4780-6040-6 /
DOI:
https://doi.org/10.1215/9781478060406
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